A curated set of animatronic and mechanical work, alongside a few standout pieces from an earlier career in theatrical props.
A fully practical, DMX-controlled music box with an animated crank handle, integrated lighting, and a low-lying fog effect — each function independently addressable for seamless show-control integration.
A pneumatically driven automaton that dips its wand and raises it to blow bubbles on cue, with subtle head movement for added life. Sculpting and costume by Shay Hopkins-Paine.
A 3D-modeled and printed period film camera and monitor unit, finished with bronze mirrored acrylic and engineered for durability across a national touring production.
Thirty 3D-modeled and printed vintage flashlight shells, each housing a fully functional modern flashlight for a Broadway-style dance number — period styling built for reliable, repeatable nightly use.
A fully articulated deer puppet built on a rigid skeleton with soft foam musculature and real hide covering, engineered for an actor to carry and perform live on stage.
A hyper-realistic severed-hand prosthetic, cast in silicone directly from the actor's own hand and finished with silicone paints for lifelike skin tone and detail.